Our story · Port Coquitlam, Canada
Since 1991 Radial has made the boxes that sit between the instrument and the console. Get them right and they vanish. That invisibility is the whole job — and it's the reason engineers keep spec'ing the red box.
Started building cable and signal tools in British Columbia, and never moved the work offshore.
The kind of cover you only offer when the box is genuinely built to outlive the tour.
A chassis that takes a dropped road case on the steel, not on the switches.
The standard
Every box starts as a problem someone hit on a real stage or in a real session. We build it, measure it, and put it in front of the people who'll abuse it for a living. If it colors the sound or rattles loose, it doesn't ship. That's a slower way to release gear, and it's the only way we know how.
In one line
“The red box comes home from tour still measuring the way it left. Stop thinking about your gear — that's the entire point of building it this well.”
Made here
The bench where the boxes are designed is the same building where they're assembled and tested. Keeping it under one roof is how the measurements stay honest and the build stays consistent — unit to unit, year after year. It also means the people who answer a support call have actually held the thing.
Talk to the bench →Artist stories
The players and engineers who reach for the red box on stages and in studios that don't forgive mistakes.
Marcus Miller
Mark Ronson
Shawn Mendes
Nathan EastWork with us
Whether you're stocking the line, writing about it, or trying to fix a signal problem tonight — there's a person here for it.
